Mandy Takhar: Redefining Punjabi Cinema, One Role at a Time
Mandy Takhar, the versatile actress known for her fearless choices, is breaking barriers in Punjabi cinema. From daring physical transformations to stepping into the producer’s chair, Takhar’s journey is one of empowerment and change.
In her latest venture, “Kikli,” where she not only stars but also produces and co-directs, Takhar shares her journey of taking control in an industry where chasing producers for payments was a norm. She believes in leading from the front, offering creative freedom and respect to her projects.
Despite the male-centric nature of Punjabi cinema, Takhar sees a shift towards more diverse narratives, albeit with the struggle for recognition and pay equity. Casting rising star Wamiqa Gabbi in “Kikli” is both a personal and professional choice, reflecting Takhar’s commitment to supporting talent.
Growing up in the UK, Takhar’s connection to Punjabi cinema stems from a desire to embrace her roots and make her state proud. With a vision to break stereotypes and promote new talent, her production house aims to bring fresh perspectives to the industry.
Takhar’s upcoming film, “Haye Ni Meri Moto,” challenges societal norms around body shaming and fair complexion obsession, showcasing her dedication to tackling relevant issues through cinema.
As she gears up for the release of “Mr Shudai” on June 21, Takhar remains determined to push boundaries and pave the way for a more inclusive and progressive Punjabi cinema.
In the next five years, Mandy Takhar envisions a landscape where her contributions continue to redefine the industry, inspiring a new generation of storytellers and audiences alike.
